Honoring Black History Through Theatre: My Experience with The Trial of Dedan Kimathi
This October, I had the privilege of being part of an incredible production that brought history, art, and activism together — The Trial of Dedan Kimathi. The play was staged at Theatre in the Mill, University of Bradford, as part of the British Council UK–Kenya Season 2025, in partnership with the African Centre London and Theatre in the Mill.
This wasn’t just another stage performance. It was a moment of deep reflection, cultural pride, and storytelling that transcended time — a powerful reminder of Africa’s resilience, courage, and unyielding fight for freedom.
A Tribute to African Liberation
Originally written by Ngũgĩ wa Thiong’o and Mīcere Githae Mugo, The Trial of Dedan Kimathi is a revolutionary play that captures the final days of Dedan Kimathi, leader of the Mau Mau uprising against British colonial rule in Kenya. The play celebrates Kimathi’s bravery while shedding light on the struggles and sacrifices of many who fought for justice and independence.
Performing this story in the UK, decades after Kenya’s liberation, carried a deep sense of meaning — a bridge between two worlds, acknowledging a shared history and the need to continue conversations around justice, identity, and cultural pride.
A Powerful Cast and Production
The performance featured an outstanding ensemble of talented actors and creatives, including Jumoke Muritala, Oluwadamiloa Adetomiwa, Gbemiseke Olayemi Eyetevi, Daniel Okezie, Reggan Uzoh, Elizabeth Charles-Dede, and myself, Tope Dada.
Each actor brought a unique energy and depth to the story, breathing life into historical figures and reminding the audience that the spirit of resistance and freedom still lives within us today. The collaboration was both professional and deeply personal — we were not just acting; we were channeling voices from history that refused to be silenced.
Behind the Scenes
From the first script reading to the final performance, the experience was a journey of learning, reflection, and cultural exchange. The notes on our scripts, the passionate rehearsals, and the conversations that followed each session all reflected a collective commitment to honoring African heritage.
The creative process reminded me of the power of storytelling — how it shapes understanding, heals communities, and keeps history alive for the next generation.
Celebrating Black History Month
This project was a central part of Black History Month celebrations in Bradford — and it couldn’t have been more fitting. The production gave audiences a chance to see the world through the eyes of African heroes whose stories are often overlooked or forgotten.
It was a moment to celebrate not just where we come from, but how far we’ve come. It was also a reminder that our voices, art, and stories continue to matter in shaping a just and inclusive future.
Final Reflections
Being part of The Trial of Dedan Kimathi was more than a performance — it was an act of remembrance, empowerment, and unity. It reminded me of the importance of using every platform — whether in music, writing, or theatre — to amplify voices of truth and inspire social impact.
I am deeply grateful to the British Council, Theatre in the Mill, African Centre London, and everyone who contributed to making this project a success. It was truly an honor to stand with fellow artists and advocates who are committed to telling Africa’s story with pride and authenticity.
Inspiration Moving Forward
Projects like this strengthen my resolve to keep creating and supporting initiatives that promote cultural understanding, social justice, and community development. Through art, faith, and humanitarian work, I believe we can continue to shape a better world — one story, one song, one act at a time.
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